Decolonizing Nature - Contemporary Art and the Politics of Ecology
雖然生態學在藝術史中幾乎沒有得到系統性的關注，但其可見性和重要性隨著氣候變化和環境破壞的威脅而增長。透過讓藝術家廣泛的審美和政治參與與全球的環境條件和過程相結合，並在全球南方和北方的非殖民化自然中尋找前沿的理論，政治和文化發展，為藝術史的交叉領域提供了重要的原創性貢獻。 生態學、視覺文化、地理和環境政治。藝術史學家TJ Demos，回歸後殖民時代的作者：當代藝術中的殖民主義精神（2013），考慮藝術家和活動家的創造性建議，將生態可持續性，氣候正義和激進民主的生活方式融合在一起何時迫切需要這樣的創意提案。
While ecology has received little systematic attention within art history, its visibility and significance has grown in relation to the threats of climate change and environmental destruction. By engaging artists widespread aesthetic and political engagement with environmental conditions and processes around the globe and looking at cutting-edge theoretical, political, and cultural developments in the Global South and North Decolonizing Nature offers a significant, original contribution to the intersecting fields of art history, ecology, visual culture, geography, and environmental politics. Art historian T. J. Demos, author of Return to the Postcolony: Specters of Colonialism in Contemporary Art (2013), considers the creative proposals of artists and activists for ways of life that bring together ecological sustainability, climate justice, and radical democracy, at a time when such creative proposals are urgently needed.
T. J. Demos(Autor)
Publisher:Sternberg Press
ISBN: 978-3956790942
原價 US 26 5 台幣價 NT$845
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