On Site, In Sound : Performance Geographies in America Latina

在現場，在聲音中Kirstie A. Dorr研究聲音的空間性以及聲音在感知和地理空間構造中的作用方式。 Dorr著眼於南美音樂文化的半球流通，展示了音速生產和空間形成是如何相互構成的，從而指出人們如何使用音樂和聲音來挑戰和改變地方的主要概念和配置。

無論是追踪秘魯民歌“El Condor Pasa”的演變如何重新界定了國家/國際與鄉村/城市之間的界限，還是如何在舊金山泛美拉丁美洲表演中心提供了挑戰高檔化的場所，Dorr重點介紹南美音樂家和活動家如何在整個半球創造了新的文化交流和地緣政治歸屬網絡。 Dorr在將地理與音樂聲音聯繫起來時表明，這個地方不僅僅是聲音產生和傳播的地點，它是社會行為者施加政治影響的一個構建和爭議的領域。

In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation are mutually constitutive, thereby pointing to how people can use music and sound to challenge and transform dominant conceptions and configurations of place.

Whether tracing how the evolution of the Peruvian folk song "El Condor Pasa" redefined the boundaries between national/international and rural/urban, or how a pan-Latin American performance center in San Francisco provided a venue through which to challenge gentrification, Dorr highlights how South American musicians and activists created new and alternative networks of cultural exchange and geopolitical belonging throughout the hemisphere. In linking geography with musical sound, Dorr demonstrates that place is more than the location where sound is produced and circulated; it is a constructed and contested domain through which social actors exert political influence.

    Kirstie A. Dorr   (Autor)  

Publisher: Duke University Press Books 

ISBN:    978-0822368670 

 原價    £19.99   台幣價 NT$:900  特價:720