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Byron at the Theatre

 

劇院中的拜倫是一系列歐洲學者的散文集,以各種方式處理拜倫的戲劇。首先是對拜倫和德魯里巷的詳細介紹,其中包括最近對倫敦攝政時劇院騷亂和骯髒情況的研究 - 這些條件遠遠解釋了拜倫對戲劇成功理念的厭惡。接下來有一章關於對維托里奧·阿爾菲里(Byron)的影響,這一重要主題在一個多世紀以來一直沒有得到徹底的闡述,並且遠遠解釋了拜倫在古典戲劇中的實驗動機。

文章的主體從主題角度討論了拜倫的戲劇,並將歌羅自己視為歌德和斯托帕德戲劇中的一個人物。魯道夫·努雷耶夫(Rudolph Nureyev)鮮為人知的曼弗雷德(Manfred)芭蕾舞劇有一章,而拜倫(Byron)本人也是戲劇表演者。拜倫在劇院是一本重要的書,對於那些對拜倫的生活和工作這個討論很少,很少被理解的方面感興趣的人來說。

Byron at the Theatre is a collection of essays by a wide spectrum of European scholars, dealing with Byron's dramas in a variety of ways. It starts with a long and detailed introduction on Byron and Drury Lane, incorporating much recent research done on the riotous and squalid conditions of the theatre in Regency London - conditions which go far towards explaining Byron's distaste for the idea of theatrical success. There follows a chapter about the influence on Byron of Vittorio Alfieri, a vital subject which has not been written about thoroughly for over a century, and which goes far to explain what motivated Byron's experiments in classical drama.

 

The main body of the essays discuss Byron's plays from thematic perspectives, and examine Byron himself as a figure in the dramas of Goethe and Stoppard. There is a chapter on Rudolph Nureyev's little-known Manfred ballet, and another on Byron himself as a dramatic performer. Byron at the Theatre is a vital book for anyone interested in this much-discussed but little-understood aspect of Byron's life and work.

  Peter Cochran (Autor) 

Publisher:Cambridge Scholars Publishing 

ISBN:    978-1847184276 

原價  £  34.99   台幣價 NT$1680 

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